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<channel>
	<title>Number 61 &#187; movies</title>
	<atom:link href="http://number61.net/tag/movies/feed" rel="self" type="application/rss+xml" />
	<link>http://number61.net</link>
	<description>by Matthew Gipp</description>
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		<title>Second Wind</title>
		<link>http://number61.net/2010/03/second-wind</link>
		<comments>http://number61.net/2010/03/second-wind#comments</comments>
		<pubDate>Mon, 15 Mar 2010 11:40:24 +0000</pubDate>
		<dc:creator>Matthew Gipp</dc:creator>
				<category><![CDATA[graphic]]></category>
		<category><![CDATA[one]]></category>
		<category><![CDATA[movies]]></category>
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		<guid isPermaLink="false">http://number61.net/?p=5223</guid>
		<description><![CDATA[]]></description>
			<content:encoded><![CDATA[<p><a href="http://vimeo.com/10019015"><img src="http://number61.net/wp-content/uploads/2010/03/second_wind1.jpg" alt="" title="Second Wind—Vimeo" width="320" height="300" class="aligncenter size-full wp-image-5225" /></a></p>
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		<title>Connected</title>
		<link>http://number61.net/2010/03/connected</link>
		<comments>http://number61.net/2010/03/connected#comments</comments>
		<pubDate>Mon, 15 Mar 2010 11:19:24 +0000</pubDate>
		<dc:creator>Matthew Gipp</dc:creator>
				<category><![CDATA[graphic]]></category>
		<category><![CDATA[one]]></category>
		<category><![CDATA[movies]]></category>
		<category><![CDATA[v]]></category>

		<guid isPermaLink="false">http://number61.net/?p=5220</guid>
		<description><![CDATA[Set in the distant future, Connected is a story about survival and greed with a post apocalyptic wasteland as its backdrop. Survivors of an unknown disaster shuffle through a desolate landscape, as it quickly becomes clear that not everybody has the strength to survive. Really, just a pretty cool short.]]></description>
			<content:encoded><![CDATA[<blockquote><p>Set in the distant future, Connected is a story about survival and greed with a post apocalyptic wasteland as its backdrop. Survivors of an unknown disaster shuffle through a desolate landscape, as it quickly becomes clear that not everybody has the strength to survive.</p></blockquote>
<p>Really, just a pretty cool short.</p>
]]></content:encoded>
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		<title>Plastic Bag</title>
		<link>http://number61.net/2010/03/plastic-bag</link>
		<comments>http://number61.net/2010/03/plastic-bag#comments</comments>
		<pubDate>Fri, 12 Mar 2010 12:46:52 +0000</pubDate>
		<dc:creator>Matthew Gipp</dc:creator>
				<category><![CDATA[one]]></category>
		<category><![CDATA[herzog]]></category>
		<category><![CDATA[movies]]></category>
		<category><![CDATA[v]]></category>

		<guid isPermaLink="false">http://number61.net/?p=5203</guid>
		<description><![CDATA[Filmmaker Ramin Bahrani &#8216;traces the epic, existential journey of a plastic bag (voiced by Werner Herzog) searching for its lost maker, the woman who took it home from the store and eventually discarded it.&#8216; No, your eyes do not deceive you. Werner Herzog. via Ebert]]></description>
			<content:encoded><![CDATA[<p>Filmmaker <b>Ramin Bahrani</b> &#8216;<em>traces the epic, existential journey of a plastic bag (voiced by Werner Herzog) searching for its lost maker, the woman who took it home from the store and eventually discarded it.</em>&#8216;</p>
<p>No, your eyes do not deceive you. <a href="http://number61.net/?s=werner+herzog" class="intra" title="Werner Herzog—Search Results—Number 61">Werner Herzog</a>.</p>
<p>via <a href="http://twitter.com/ebertchicago/status/10289748691">Ebert</a></p>
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		<title>La Dama y la Muerte</title>
		<link>http://number61.net/2010/03/la-dama-y-la-muerte</link>
		<comments>http://number61.net/2010/03/la-dama-y-la-muerte#comments</comments>
		<pubDate>Tue, 02 Mar 2010 11:58:32 +0000</pubDate>
		<dc:creator>Matthew Gipp</dc:creator>
				<category><![CDATA[graphic]]></category>
		<category><![CDATA[one]]></category>
		<category><![CDATA[movies]]></category>
		<category><![CDATA[v]]></category>

		<guid isPermaLink="false">http://number61.net/?p=5018</guid>
		<description><![CDATA[]]></description>
			<content:encoded><![CDATA[<p><a href="hhttp://theladyandthereaper.com/"><img src="http://number61.net/wp-content/uploads/2010/03/ladamaylamuerte1.jpg" alt="" title="ladamaylamuerte" width="320" height="300" class="aligncenter size-full wp-image-5020" /></a></p>
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		<title>Ebert&#8217;s Closing Parenthesis</title>
		<link>http://number61.net/2010/02/eberts-closing-parentheses</link>
		<comments>http://number61.net/2010/02/eberts-closing-parentheses#comments</comments>
		<pubDate>Wed, 17 Feb 2010 12:56:07 +0000</pubDate>
		<dc:creator>Matthew Gipp</dc:creator>
				<category><![CDATA[one]]></category>
		<category><![CDATA[movies]]></category>

		<guid isPermaLink="false">http://number61.net/?p=4852</guid>
		<description><![CDATA[Lately, Roger Ebert has been riding a streak of phenomenal—and extremely personal—writing (see: his struggles with alcoholism, the bygone London of his memories, a love letter to a Chicago bar, how he hasn&#8217;t been able to eat food since he lost his jaw). It is, as Chris Jones writes in his brilliant new Esquire article [...]]]></description>
			<content:encoded><![CDATA[<p>Lately, <b>Roger Ebert</b> has been riding a streak of phenomenal—and extremely personal—writing (see: his <a href="http://blogs.suntimes.com/ebert/2009/08/my_name_is_roger_and_im_an_alc.html" title="My Name is Roger, and I'm an alcoholic—Roger Ebert's Journal">struggles with alcoholism</a>, the bygone <a href="http://blogs.suntimes.com/ebert/2010/02/i_lived_in_dickens_london.html" title="I met a character from Dickens—Roger Ebert's Journal">London of his memories</a>, a <a href="http://www.granta.com/Online-Only/A-Bar-on-North-Avenue" title="A Bar on North Avenue—Granta">love letter to a Chicago bar</a>, how he <a href="http://blogs.suntimes.com/ebert/2010/01/nil_by_mouth.html" title="Nil By Mouth—Roger Ebert's Journal">hasn&#8217;t been able to eat food</a> since he lost his jaw).</p>
<p>It is, as Chris Jones writes in his brilliant new <em>Esquire</em> <a href="http://www.esquire.com/print-this/roger-ebert-0310">article</a> on the subject of Ebert, evidence of a man who has made his peace with lethal time.</p>
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		<title>Sun Ra &#8211; Space is the Place</title>
		<link>http://number61.net/2010/02/space-is-the-place</link>
		<comments>http://number61.net/2010/02/space-is-the-place#comments</comments>
		<pubDate>Sat, 13 Feb 2010 01:31:14 +0000</pubDate>
		<dc:creator>Matthew Gipp</dc:creator>
				<category><![CDATA[graphic]]></category>
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		<category><![CDATA[jazz]]></category>
		<category><![CDATA[movies]]></category>
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		<guid isPermaLink="false">http://number61.net/?p=4820</guid>
		<description><![CDATA[Watch the 1974 film.]]></description>
			<content:encoded><![CDATA[<p><a href="http://ubu.com/film/ra_space.html"><img src="http://number61.net/wp-content/uploads/2010/02/sunra_space_is_the_place.jpg" alt="sunra_space_is_the_place" title="Space is the Place—U B U W E B" width="320" height="300" class="alignleft size-full wp-image-4819" /></a><br />
<span class="blurb"><a href="http://ubu.com/film/ra_space.html" title="Space is the Place—U B U W E B">Watch</a> the <a href="http://en.wikipedia.org/wiki/Space_Is_the_Place" title="Space is the Place—Wikipedia">1974 film</a>.</span></p>
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		<title>Luis</title>
		<link>http://number61.net/2010/02/luis</link>
		<comments>http://number61.net/2010/02/luis#comments</comments>
		<pubDate>Sat, 06 Feb 2010 04:37:36 +0000</pubDate>
		<dc:creator>Sam Carlson</dc:creator>
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		<guid isPermaLink="false">http://number61.net/?p=4679</guid>
		<description><![CDATA[]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.diluviogallery.com/diluviogallery/luis-short-film/"><img src="http://number61.net/wp-content/uploads/2010/02/luis.jpg" alt="" title="Luis (2008)—The Diluvio Gallery" width="350" height="300" class="alignleft size-full wp-image-4704" /></a></p>
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		<title>Kanizsa Hill</title>
		<link>http://number61.net/2010/02/kanizsa-hill</link>
		<comments>http://number61.net/2010/02/kanizsa-hill#comments</comments>
		<pubDate>Fri, 05 Feb 2010 12:35:05 +0000</pubDate>
		<dc:creator>Matthew Gipp</dc:creator>
				<category><![CDATA[graphic]]></category>
		<category><![CDATA[one]]></category>
		<category><![CDATA[movies]]></category>
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		<guid isPermaLink="false">http://number61.net/?p=4668</guid>
		<description><![CDATA[]]></description>
			<content:encoded><![CDATA[<p><a href="http://vimeo.com/8325025"><img src="http://number61.net/wp-content/uploads/2010/02/kanizsa_hill1.gif" alt="kanizsa_hill" title="Kanizsa Hill—Vimeo" width="320" height="300" class="alignleft size-full wp-image-4667" /></a></p>
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		<title>Get Out</title>
		<link>http://number61.net/2010/01/get-out</link>
		<comments>http://number61.net/2010/01/get-out#comments</comments>
		<pubDate>Tue, 26 Jan 2010 02:45:30 +0000</pubDate>
		<dc:creator>Matthew Gipp</dc:creator>
				<category><![CDATA[graphic]]></category>
		<category><![CDATA[one]]></category>
		<category><![CDATA[movies]]></category>
		<category><![CDATA[v]]></category>

		<guid isPermaLink="false">http://number61.net/?p=4477</guid>
		<description><![CDATA[]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.getout-lefilm.com/index.html"><img src="http://number61.net/wp-content/uploads/2010/01/getoutfilm.png" alt="" title="getoutfilm" width="320" height="300" class="alignleft size-full wp-image-4478" /></a></p>
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		<title>Rushdie and Gilliam</title>
		<link>http://number61.net/2009/12/rushdie-and-gilliam</link>
		<comments>http://number61.net/2009/12/rushdie-and-gilliam#comments</comments>
		<pubDate>Thu, 31 Dec 2009 12:03:25 +0000</pubDate>
		<dc:creator>Matthew Gipp</dc:creator>
				<category><![CDATA[one]]></category>
		<category><![CDATA[movies]]></category>

		<guid isPermaLink="false">http://number61.net/?p=4354</guid>
		<description><![CDATA[An oldie but a goodie: Salman Rushdie interviews Terry Gilliam at the 2002 Telluride Film Festival. SR: [...] When I was writing Midnight’s Children, I used to work two days a week at an ad agency and five days a week writing my book, and I thought of it, kind of, as industrial sponsorship.]]></description>
			<content:encoded><![CDATA[<p>An oldie but a goodie: Salman Rushdie <a href="http://www.believermag.com/issues/200303/?read=interview_gilliam" title="Salman Rushdie Talks With Terry Gilliam—The Believer">interviews</a> Terry Gilliam at the 2002 Telluride Film Festival.</p>
<blockquote><p>SR: [...] When I was writing Midnight’s Children, I used to work two days a week at an ad agency and five days a week writing my book, and I thought of it, kind of, as industrial sponsorship.</p></blockquote>
]]></content:encoded>
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		<title>Skhizein, by Jérémy Clapin</title>
		<link>http://number61.net/2009/12/skhizein-by-jeremy-clapin</link>
		<comments>http://number61.net/2009/12/skhizein-by-jeremy-clapin#comments</comments>
		<pubDate>Tue, 29 Dec 2009 12:11:40 +0000</pubDate>
		<dc:creator>Matthew Gipp</dc:creator>
				<category><![CDATA[graphic]]></category>
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		<guid isPermaLink="false">http://number61.net/?p=4347</guid>
		<description><![CDATA[]]></description>
			<content:encoded><![CDATA[<p><a href="http://vimeo.com/6913172"><img src="http://number61.net/wp-content/uploads/2009/12/skhizein.jpg" alt="" title="Skhizein—Jérémy Clapin" width="320" height="300" class="alignleft size-full wp-image-4348" /></a></p>
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		<title>Man of Extremes</title>
		<link>http://number61.net/2009/12/man-of-extremes</link>
		<comments>http://number61.net/2009/12/man-of-extremes#comments</comments>
		<pubDate>Tue, 29 Dec 2009 11:47:13 +0000</pubDate>
		<dc:creator>Matthew Gipp</dc:creator>
				<category><![CDATA[one]]></category>
		<category><![CDATA[Biography]]></category>
		<category><![CDATA[movies]]></category>

		<guid isPermaLink="false">http://number61.net/?p=4332</guid>
		<description><![CDATA[Just in case you missed it—I did—here&#8217;s a New Yorker profile of James Cameron from this past October.]]></description>
			<content:encoded><![CDATA[<p>Just in case you missed it—I did—here&#8217;s a <a href="http://www.newyorker.com/reporting/2009/10/26/091026fa_fact_goodyear" title="Man of Extremes—Dana Goodyear—The New Yorker"><em>New Yorker</em> profile</a> of <b>James Cameron</b> from this past October.</p>
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		<title>Alma</title>
		<link>http://number61.net/2009/12/alma</link>
		<comments>http://number61.net/2009/12/alma#comments</comments>
		<pubDate>Wed, 23 Dec 2009 04:42:24 +0000</pubDate>
		<dc:creator>Matthew Gipp</dc:creator>
				<category><![CDATA[graphic]]></category>
		<category><![CDATA[one]]></category>
		<category><![CDATA[movies]]></category>
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		<guid isPermaLink="false">http://number61.net/?p=4300</guid>
		<description><![CDATA[A short by (Pixar animator) Rodrigo Blaas.]]></description>
			<content:encoded><![CDATA[<p><a href="http://vimeo.com/4749536" title="Alma, by Rodrigo Blaas—Vimeo"><img src="http://number61.net/wp-content/uploads/2009/12/alma.jpg" alt="Alma, by Rodrigo Blaas" title="Alma, by Rodrigo Blaas" width="320" height="300" class="alignleft size-full wp-image-4301" /></a></p>
<p><span class="blurb">A short by (Pixar animator) Rodrigo Blaas.</span></p>
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		<title>The 2009 Black List</title>
		<link>http://number61.net/2009/12/the-2009-black-list</link>
		<comments>http://number61.net/2009/12/the-2009-black-list#comments</comments>
		<pubDate>Mon, 14 Dec 2009 12:31:17 +0000</pubDate>
		<dc:creator>Matthew Gipp</dc:creator>
				<category><![CDATA[one]]></category>
		<category><![CDATA[movies]]></category>

		<guid isPermaLink="false">http://number61.net/?p=4230</guid>
		<description><![CDATA[The new Black List is out. For those who don&#8217;t know, it&#8217;s described thusly: THE BLACK LIST was compiled from the suggestions of over 300 film executives, each of whom contributed the names of up to ten of their favorite scripts that were written in, or are somehow uniquely associated with, 2009 and will not [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.blcklst.com/tbl/" title="The Black List">The new Black List</a> is out. For those who don&#8217;t know, it&#8217;s described thusly:</p>
<blockquote><p>THE BLACK LIST was compiled from the suggestions of over 300 film executives, each of whom contributed the names of up to ten of their favorite scripts that were written in, or are somehow uniquely associated with, 2009 and will not be released in theaters during this calendar year.</p></blockquote>
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		<title>The Shortlist</title>
		<link>http://number61.net/2009/12/the-shortlist-of-hopefuls</link>
		<comments>http://number61.net/2009/12/the-shortlist-of-hopefuls#comments</comments>
		<pubDate>Thu, 10 Dec 2009 04:01:14 +0000</pubDate>
		<dc:creator>Matthew Gipp</dc:creator>
				<category><![CDATA[one]]></category>
		<category><![CDATA[movies]]></category>

		<guid isPermaLink="false">http://number61.net/?p=4137</guid>
		<description><![CDATA[Something I can really get behind: in anticipation of every year&#8217;s Oscar season, more and more Hollywood studios are publishing screenplays for award contenders online for free download. Rope of Silicone has been keeping a list of links.]]></description>
			<content:encoded><![CDATA[<p>Something I can really get behind: in anticipation of every year&#8217;s Oscar season, more and more Hollywood studios are publishing screenplays for award contenders online for free download.</p>
<p><b>Rope of Silicone</b> has been <a href="http://www.ropeofsilicon.com/article/new-oscar-scripts-basterds-nine-the-road-and-a-single-man">keeping a list of links</a>.</p>
]]></content:encoded>
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		<title>Dream Big</title>
		<link>http://number61.net/2009/12/dream-big</link>
		<comments>http://number61.net/2009/12/dream-big#comments</comments>
		<pubDate>Thu, 10 Dec 2009 03:34:09 +0000</pubDate>
		<dc:creator>Matthew Gipp</dc:creator>
				<category><![CDATA[one]]></category>
		<category><![CDATA[movies]]></category>
		<category><![CDATA[v]]></category>

		<guid isPermaLink="false">http://number61.net/?p=4114</guid>
		<description><![CDATA[You&#8217;ll recognize the following six films: 9, District 9, Napoleon Dynamite, The Evil Dead, Bottle Rocket and Boogie Nights. You may not know, however, that they were all originally filmed as shorts by amateur filmmakers—all of whom began their professional careers by turning the short films in question into features. Check out the roundup—with embedded [...]]]></description>
			<content:encoded><![CDATA[<p>You&#8217;ll recognize the following six films: <em>9</em>, <em>District 9</em>, <em>Napoleon Dynamite</em>, <em>The Evil Dead</em>, <em>Bottle Rocket</em> and <em>Boogie Nights</em>. </p>
<p>You may not know, however, that they were all originally filmed as shorts by amateur filmmakers—all of whom  began their professional careers by turning the short films in question into features.</p>
<p>Check out <a href="http://www.mentalfloss.com/blogs/archives/42347" title="Feature Films That Started as Shorts—Mental_Floss">the roundup</a>—with embedded YouTube videos—on <b>Mental_Floss</b>.</p>
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		<title>The Unmanned Mr. Fox</title>
		<link>http://number61.net/2009/12/the-unmanned-mr-fox</link>
		<comments>http://number61.net/2009/12/the-unmanned-mr-fox#comments</comments>
		<pubDate>Sat, 05 Dec 2009 01:29:20 +0000</pubDate>
		<dc:creator>Matthew Gipp</dc:creator>
				<category><![CDATA[one]]></category>
		<category><![CDATA[movies]]></category>

		<guid isPermaLink="false">http://number61.net/?p=4060</guid>
		<description><![CDATA[From (the superlative) Overthinking It: rooting through The Fantastic Mr. Fox for some truly disturbing thematic material. Caution: mild spoilers ahead!]]></description>
			<content:encoded><![CDATA[<p>From (the superlative) <b>Overthinking It</b>: rooting through <em>The Fantastic Mr. Fox</em> for <a href="http://www.overthinkingit.com/2009/11/30/phallic-fantastic-mr-fox/" title="Phallic Mr. Fox—Overthinking It">some truly disturbing thematic material</a>.</p>
<p>Caution: mild spoilers ahead!</p>
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		<title>Werner Herzog is the Most Interesting Man in the World</title>
		<link>http://number61.net/2009/12/werner-herzog-is-the-most-interesting-man-in-the-world</link>
		<comments>http://number61.net/2009/12/werner-herzog-is-the-most-interesting-man-in-the-world#comments</comments>
		<pubDate>Fri, 04 Dec 2009 03:36:40 +0000</pubDate>
		<dc:creator>Matthew Gipp</dc:creator>
				<category><![CDATA[one]]></category>
		<category><![CDATA[herzog]]></category>
		<category><![CDATA[movies]]></category>

		<guid isPermaLink="false">http://number61.net/?p=3980</guid>
		<description><![CDATA[Filmmaker Werner Herzog recently appeared on KCRW&#8217;s The Treatment podcast and talked about his preference for casting animals in main acting roles, about the capricious allure of American football, about conquering fear, about his Spanish opera, about traveling to Southern Ethiopia to film a musical, about getting shot during an interview and being the only [...]]]></description>
			<content:encoded><![CDATA[<p>Filmmaker <b>Werner Herzog</b> recently appeared on KCRW&#8217;s <em>The Treatment</em> podcast and talked about his preference for casting animals in main acting roles, about the capricious allure of American football, about conquering fear, about his Spanish opera, about traveling to Southern Ethiopia to film a musical, about getting shot during an interview and being the only guy who didn&#8217;t want to call it off. <a href="http://www.kcrw.com/etc/programs/tt/tt091202werner_herzog">Listen</a>.</p>
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		<title>The Tedious Mr. Fox</title>
		<link>http://number61.net/2009/11/the-tedious-mr-fox</link>
		<comments>http://number61.net/2009/11/the-tedious-mr-fox#comments</comments>
		<pubDate>Fri, 27 Nov 2009 22:42:13 +0000</pubDate>
		<dc:creator>Matthew Gipp</dc:creator>
				<category><![CDATA[one]]></category>
		<category><![CDATA[movies]]></category>
		<category><![CDATA[v]]></category>

		<guid isPermaLink="false">http://number61.net/?p=3729</guid>
		<description><![CDATA[You may have heard about how members of Wes Anderson&#8217;s team allegedly took exception to his &#8216;sociopathic&#8217; directorial style during the extremely tedious production of The Fantastic Mr. Fox. Making Of has a short featurette on how the workflow actually worked. It&#8217;s all pretty brilliant, but I still think It&#8217;s amazing that they got anything [...]]]></description>
			<content:encoded><![CDATA[<p>You may have <a href="http://articles.latimes.com/2009/oct/11/entertainment/ca-mrfox11" title="Fur flies on 'Mr. Fox' - The Los Angeles Times">heard about</a> how members of Wes Anderson&#8217;s team allegedly took exception to his &#8216;sociopathic&#8217; directorial style during the extremely tedious production of <em>The Fantastic Mr. Fox</em>.</p>
<p><b>Making Of</b> has <a href="http://www.makingof.com/happening_now/media/fantastic-mr-fox/cutting-edge-fox/167/666" title="Cutting-Edge Fox - Making Of">a short featurette</a> on how the workflow actually worked.</p>
<p>It&#8217;s all pretty brilliant, but I still think It&#8217;s amazing that they got anything done this way.</p>
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		<title>Three From Buñuel</title>
		<link>http://number61.net/2009/11/three-from-bunuel</link>
		<comments>http://number61.net/2009/11/three-from-bunuel#comments</comments>
		<pubDate>Fri, 27 Nov 2009 02:23:58 +0000</pubDate>
		<dc:creator>Matthew Gipp</dc:creator>
				<category><![CDATA[one]]></category>
		<category><![CDATA[Buñuel]]></category>
		<category><![CDATA[movies]]></category>
		<category><![CDATA[v]]></category>

		<guid isPermaLink="false">http://number61.net/?p=3692</guid>
		<description><![CDATA[The Auteurs—a site that I can only describe as a sort of streamable, pay-per-view Criterion Collection—recently added three films by Spanish surrealist filmmaker Luis Buñuel: L&#8217;Âge d&#8217;or, Death in the Garden and Un Chien Andalou. They&#8217;re all free to watch. For now. You should check them out (but only if you like your movies old, [...]]]></description>
			<content:encoded><![CDATA[<p><b>The Auteurs</b>—a site that I can only describe as a sort of streamable, pay-per-view Criterion Collection—recently added three films by Spanish surrealist filmmaker <b>Luis Buñuel</b>: <a href="http://en.wikipedia.org/wiki/L'Âge_d'or" title="L'Âge d'or - Wikipedia"><em>L&#8217;Âge d&#8217;or</em></a>, <a href="http://en.wikipedia.org/wiki/La_mort_en_ce_jardin" title="La mort en ce jardin - Wikipedia"><em>Death in the Garden</em></a> and <a href="http://en.wikipedia.org/wiki/Un_chien_andalou" title="Un Chien Andalou - Wikipedia"><em>Un Chien Andalou</em></a>.</p>
<p>They&#8217;re all free to watch. For now.</p>
<p>You should <a href="http://www.theauteurs.com/programs/45">check them out</a> (but only if you like your movies old, French and unsettling).</p>
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